Skip to main content

Kataplexia – The Rise of the Unknown


Kataplexia – The Rise of the Unknown
January 2019 – Rotten Music



Kataplexia is Finland's best Indonesian brutal death metal band. You read that right, Indonesian is now a valid qualifier for brutal death metal. For those unaware, I explored and wrote about the Southeast Asian brutal death metal scene two years ago, discovering a gigantic scene with an uncharacteristic public acceptance. One of the members of Jasad began a side-project, Kaluman, which is the definition of high-quality Southeast Asian brutal death metal. A couple seconds into Kataplexia's latest, I expected to see Rottervore or Extreme Souls as their label, as every element pointed towards Indonesian origins – the tone, production, vocals, riffs and even album art all felt like Ferli Suferli (Jasad, Kaluman) was behind the project, yet Helsinki is listed as their base of operations.

Admittedly, there's only so much one can actually say about the music without endless comparisons. A modern brutal death metal album, with production and slams from 2005, and riffs with such a short rotation they're memorised within seconds. A couple cheeky sweeps or pinch harmonics here and there spice things up without turning The Rise of the Unknown into a technical mess. Staccato guttural vocals and drum fills that somehow manage to feel Indonesian, as if Visceral Disgorge had a discount Walmart version – Kataplexia have written by-the-numbers brutal death metal that's as close to easy listening as the genre will get, but in the catchiest way possible. Not every album needs to reinvent the genre, some are just there to play by the rules and execute it as well as they can. There's a certain apathy towards out-of-the-box thinking reminiscent of Skinless, in that the riffs were written with only fun and weight in mind, giving the record a teenage bedroom project vibe. The album is teen-aged only in vibe, as the actual performance is beyond reproach.

When so much legacy has been left, so many reviews written and so many new records, it's difficult to find more to say about The Rise of the Unknown. Let it stick out as a literal out-of-place project, worth keeping in mind when sharing a pint, or annoying a friend with yet another hour of brutal death metal.

Comments

Popular posts from this blog

DSKNT – PhSPHR Entropy

DSKNT – PhSPHR Entropy Sentient Ruin Records – 2017 DSKNT has been active since 2013, and somehow I only discovered them recently. As a fan of catastrophic black metal à la Deathspell Omega or Plebeian Grandstand, I was delighted to find another band in the relatively barren field of good avant garde black metal. The album kicks off with the best kind of strange, unnerving riff that sends a warning to the listener – you're in for a project with greater amplitude than most. Almost all of the riffs, excluding one or two in the latter portion of the record, have been soaked in the bath of avant garde, dripping with experimentation. Not scared of narrative composition, giving us a trip into his strange maze of a mind, Asknt creates sinuous riffs, with jagged edges and unnatural angles, but with more focus on the sinues and flow than similar artists, who often go for a slightly sharper aesthetic. There are moments of clarity, descents into madness, and long trips across ble...

Grime - Live

Grime Live – Oct. 2017 The air is heavy, the lights are dim, and the conversations skittle away, hiding in the corners as Grime takes to the stage. Eyes up and hair down, I knew we were in for something good. Grime, the italian sludge act, released their first album in 2013 on the well-known Mordgrimm records. They might be the best-named band I can think of – the unclean buzz of the strings and damp mix of instruments give off a filthy, pock-marked sound, the kind you'd hear from scraping a sewer floor. I didn't know of them until their 2015 record, Circle of Molesters, but they're the kind of band who can do no wrong. The first note hit, and the bass shook me in unholy ways. After staggering a few steps back, I looked up at the stage and saw some of the best lighting since Messuggah. A white backdrop, searchlight-style movement carving the silhouettes of Grime into my retina. Marco, lead guitar, was spectacular in his theatrics. Doubling over in rage and p...

Hexenoise – II

Hexenoise – II March 2019 – Unsigned After the excellent catastrophic sludge monolith that was Heavy Drugs Smashed Amps, Hexendrone began showing signs of veering straight off the cliff and free-fall into the jagged forest of noise, having recorded a split with B ol', a mysterious experimental act whose only proof of existence is their presence in said split. A sharp-eyed reader might notice Hexendrone not having the same name on this record. Indeed, the Russians may have wanted to clearly separate both sounds without creating an entirely new project, hence the Hexenoise and Hexendrone entities. Their approach to sludge always noisy and approximative, yet II displays remarkable forethought and composition given the genre. Acoustic drums accompany the slow, intangible Go Home!, giving it structure and giving me something to hold on to while my lungs and head are crushed. A vice made of guitar distortion and bass rumble, feeding into an ever-growing drone, constrict...