Primitive Man / Hell Split
February 2019 – Translation Loss
Records
Primitive man doesn't need
introductions, at least not since Relapse Records released Caustic in
2017 – an album which I admittedly skipped for some reason. I
assume this is when they made a transition into a slightly more
blackened territory, which is incredibly well-executed given the
split they just delivered.
Ethan still has one of the best vocal
tones outside of actual demons, his signature bark making an
explosive return, their bass is still a goddamn millstone in weight
and timbre, and my ears are still dulled from the whining amplifiers
they let ring between songs. Pitiful & Loathsome is a return to
form, with plodding, mesmerizing riffs and a primal, murderous
rhythm. It's ominous, slow and suffocating, and breaks into the kind
of chaotic rodeo Primitive Man hold the reins to so well. Oily Tears
has a sharper definition, with better enunciated hatred both in voice
and in riff. It's somewhat farther from their previous material, but
no power is lost – it seems Ethan and his colleagues can do no
wrong.
Their half is ruthless – many artists
play off contrast between highs and lows, Primitive Man go from low
to lower. Everything is hopeless, any chord that shines brighter is
immediately darkened by the next in a hellish progression from
discomfort to unease.
Hell only have one song on the split,
but at 10 minutes it's a worthy contribution. As a fan of their
self-titled 2017 album, I had high expectations going into in. Nuumen
took me by surprise, with a tone reminiscent of Orange amplifier
worship and bouncing riffs much more akin to classic sludge than
their previous material suggested. Indeed, both halves of the split
are very different, and while I did enjoy the Hell side for what it
is, I can't shake the feeling that a heavier approach would've been
more appropriate. The vocals were the main element tying them to
their other records, the riffs losing the extreme qualities they had
and replacing them with bluesy doom – an uncharacteristic move.
The split feels more like two EPs than
an actual cohesive selection, and while both halves have their
merits, I'm left somewhat disappointed by the latter one – Hell
showed incredible promise during their previous album, and hopefully
this is simply an experiment in lighter material.
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