Skip to main content

Malignant – Purity Through Putrefaction


Malignant – Purity Through Putrefaction
January 2019 – Maggot Stomp



California has quite the legacy when it comes to death metal, spawning giants from the sand pits of the Mojave in the late 80s/early 90s with names like Exhumed, Terrorizer, Deeds of Flesh or Autopsy. While the legion of behemoths has migrated to greener pastures, there will always be tribute to be paid for those who tread the same sinuous paths – and Malignant have brought a sacrificial lamb to the altar of old-school death metal.

Purity Through Putrefaction may not fully fit the bill, yet with so many OSDM elements it's as if it came out 25 years ago. The vocal performance is even more thrash-leaning than a couple of predecessors, with the same signature airy rasp that defined early harsh vocals – but the lead tones really show the old school sensibilities – scooped mids (and bass), recorded a mile away then turned up, and a healthy dose of whammy abuse. The bass fills clipping did make me wonder whether this was a demo or an EP, but I'm sure it was done in the name of OSDM.

Songwriting isn't anything special, riffs do what they should without going overboard, drummer doesn't do anything too flashy – but Purity Through Putrefaction wasn't written to break the rules. It's a modern ode to the good old days, when death metal was a simpler, rawer affair. Every turn, change of pace and hook is predictable, but in a comforting way – it may be a writhing pile of flesh leaking ugly riffs, but it's mine and I feel at home in its stench. I'd just prefer horror movie clips to the Hollywood soundtrack intro we got.

As a side note, Maggot Stomp released this as their 6th record, and the first five were all top-notch as well. It's refreshing to witness success stories from such humble beginnings in recent years, and an positive sign for death metal as a whole.

Comments

Popular posts from this blog

Sulphurous - Dolorous Death Knell

Sulphurous – Dolorous Death Knell December 2018 – Dark Descent Records 90s revival and cavernous death metal started gaining popularity about two years ago, with bands such as Phrenelith and Pissgrave being propelled into quasi-mainstream success thanks to a couple of public figures introducing their audiences to an otherwise relatively underground facet of death metal. Dark Descent Records have certainly capitalized on said revival, signing giants of the genre like Blood Incantation, Spectral Voice, and previously Chthe’ilist (and Mitochondrion to a certain degree). As with any other cavernous death metal record, the production is the first thing you’ll notice – it’s all suffocated, as if the amps were draped in thick curtains. Few effects and no triggers are applied to the drums, giving the whole package a very live/practice room aspect. Despite the apparent muddiness of Dolorous Death Knell, everything’s quite audible – even the lower registers somehow retain

Kataplexia – The Rise of the Unknown

Kataplexia – The Rise of the Unknown January 2019 – Rotten Music Kataplexia is Finland's best Indonesian brutal death metal band. You read that right, Indonesian is now a valid qualifier for brutal death metal. For those unaware, I explored and wrote about the Southeast Asian brutal death metal scene two years ago, discovering a gigantic scene with an uncharacteristic public acceptance. One of the members of Jasad began a side-project, Kaluman, which is the definition of high-quality Southeast Asian brutal death metal. A couple seconds into Kataplexia's latest, I expected to see Rottervore or Extreme Souls as their label, as every element pointed towards Indonesian origins – the tone, production, vocals, riffs and even album art all felt like Ferli Suferli (Jasad, Kaluman) was behind the project, yet Helsinki is listed as their base of operations. Admittedly, there's only so much one can actually say about the music without endless comparisons. A modern

Uboa, the interview

UG You’ve gone over the “Jouissance” title in the past. Would you mind going over Coma Wall? It’s got quite grave and final undertones. First, Coma Wall has no totalised meaning for me, but death of the author could suggest otherwise. But there are themes. The Coma Wall, also known as the CfA2 Great Wall, is a galactic filament - thread-like structures composed millions of galaxies - of and one of the largest structures in the observable universe. It’s 750 million ly high x 200 million ly in width x 16 million ly in thickness. There are few structures bigger than it before you get to the “End of Greatness”, where the universe no longer is seen in discernible structures (filaments and voids, which combined look awfully organic, almost like clusters of interconnected neurones) and you get undifferentiated noise, like static on a TV or white noise. Basically, in cosmology, there seems to be an upper limit to how big things get before the universe seems to become pure undifferentia