Misantropologi – Undergang

Dark Descent Records – 2017

Another album featuring David Torturdød, this time listed as David Mikkelsen. 2017's been a busy year for the man, and we thank him for it, as the three records he's participated in have been phenomenal !

Undergang is a danish death metal band whose cover art has always been reminiscent of that oldschool, hand-drawn demotape-style art common 20 years ago. David is responsible for most of it, shaping him out to be some kind of twisted artistic genius, only capable of creating the ugliest and most suffocating pieces.While their sound isn't that close to old-school death metal, they do oscillate between an osdm-tinged bouncier style and a more straightforward, brutal-influenced death metal, giving Misantropologi a very fun and almost merry aspect.

Mid-tempo grooves, slower dragging power chords, and drawling tremolo-picked melodies that trail off into the hellscape Undergang's created – Misantropologi, while more fun than a classic death metal album, is still sinister and evil. Some memorable leads help set the tone, such as that of En bedemands bekendelser, with notable Autopsy influence. Full-on chromatic writing and strange arpeggios give Misantropologi an edge over similar caverncore records.

David's vocal performance is impressive – his tone sometimes verges on goregrind-levels of toilet gurgling. The album would be dragged down by any vocals that weren't as sludgy and repugnant as the riffs are, and Torturdød understands this. Variation is out of the question, and while there isn't much to say about purely rythmical vocal lines, David certainly sounds powerful, despite somewhat low mixing.

Speaking of mixing and production, the latter is extraordinarily good for this kind of album – but not overbearingly so. The guitar tone has just enough clarity to feed my ears with delicious riffs, without losing its personality as a muddy vehicle for hatred. As a passing note, it's nice to hear death metal recorded in a mountain cave use clicking bass drums, and actually have it work, albeit not at the same level other modern death metal bands do.

Misantropologi goes from genre to genre – it's a pendulum, but neither apex takes itself seriously, which makes for a goddamn fun album.

Comments

Five the Hierophant – Over Phlegeton

Five the Hierophant – Over Phlegeton Dark Essence Records – 2017 There's a rare breed of album which instantly becomes a cult classic, and I can confidently say Over Phlegeton is one of them. Experimental, weird, bizarre, none of these words come close to describing just how extraordinary and interesting this record is. If I had to draw parallels with another band, I'd say it's a heavier, more mature version of Mamaleek, with many similar elements such as the ethnic percussions or non-traditional scales, but with a much darker visage and more detailed composition. There have been incredible avant-garde metal albums using unconventional instruments, but none have been so tactfully used as the saxophone is on Over Phlegeton. Played as a full instrument and not a token nod to some jazzy experimentation, Five the Hierophant explore the extremeties of what the sax can do – from screaming leads floating above the guitars to wailing voices in the wind, passing by hear...

Phrenelith – Desolate Endscape

Phrenelith Desolate Endscape – 2017 Remember when the Internet went crazy for Pissgrave – Suicide Euphoria (Profound Lore Records) back in 2015 ? It's time for a new riot straight from the abyss, and the demon's name is Phrenelith. Born in 2013 in Copenhagen, Phrenelith started their career out with a split with Spectral Voice (Iron Bonehead, 2016), followed shortly by an EP (Chimaerian Offspring – Extremely Rotten Productions, 2017) and a masterpiece of an album, Desolate Endscape (Dark Descent Records, 2017). Desolate Endscape is the kind of album that reminds me why I like death metal – it's inherently primal , evil and intimidating. This record is a massive slab of death metal, dense and heavy and being thrown at your face. The fact that there's zero flourish or unnecessary technicality brings Phrenelith to the forefront of the cavemanesque caverncore scene that's been simmering for the past decade. The entire album drips with ichor, and while ...

Sulphurous - Dolorous Death Knell

Sulphurous – Dolorous Death Knell December 2018 – Dark Descent Records 90s revival and cavernous death metal started gaining popularity about two years ago, with bands such as Phrenelith and Pissgrave being propelled into quasi-mainstream success thanks to a couple of public figures introducing their audiences to an otherwise relatively underground facet of death metal. Dark Descent Records have certainly capitalized on said revival, signing giants of the genre like Blood Incantation, Spectral Voice, and previously Chthe’ilist (and Mitochondrion to a certain degree). As with any other cavernous death metal record, the production is the first thing you’ll notice – it’s all suffocated, as if the amps were draped in thick curtains. Few effects and no triggers are applied to the drums, giving the whole package a very live/practice room aspect. Despite the apparent muddiness of Dolorous Death Knell, everything’s quite audible – even the lower registers somehow retain ...

Undergrind Metal

Search This Blog